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  • 1920s, 1930s, 1940s, Bela Bartok, EN, Goffredo Petrassi, Paul Hindemith

    Concerto for Orchestra

    Published by

    Renzo Quaglieri

    on

    2 February 2025
    Concerto for Orchestra

    The twentieth century brought to light a new musical form. Concerto for Orchestra has been explored by many composers, let’s explore works by Hindemith, Bartók and Petrassi.

    Continue reading →: Concerto for Orchestra
  • 1860s, EN, Johannes Brahms

    Brahms’ Hungarian Dances

    Published by

    Renzo Quaglieri

    on

    23 January 2025
    Brahms’ Hungarian Dances

    Brahms’ “Hungarian Dances” are some of the most fun and energetic pieces in classical music, and they come with a great backstory.

    Continue reading →: Brahms’ Hungarian Dances
  • 1890s, Claude Debussy, EN

    Debussy and the birth of Impressionism

    Published by

    Renzo Quaglieri

    on

    17 January 2025
    Debussy and the birth of Impressionism

    In 1894, Claude Debussy (1862-1918) presented, almost unnoticed, a work that would alter the world’s perception of music. A work that will change the sound of French music for most of the next century. With Prélude à l’après-midi d’un faune, noted Pierre Boulez, ‘the art of music began to beat…

    Continue reading →: Debussy and the birth of Impressionism
  • 1960s, EN, Gyorgy Ligeti

    György Ligeti – Atmosphères for Orchestra

    Published by

    Renzo Quaglieri

    on

    29 December 2024
    György Ligeti – Atmosphères for Orchestra

    Imagine a piece that begins with each instrument in the orchestra playing a different note. The resulting chromatic cluster covers more than five octaves. The conductor’s score spans two pages stacked vertically. This is György Ligeti’s Atmosphères for Orchestra.

    Continue reading →: György Ligeti – Atmosphères for Orchestra
  • 1940s, Dmitri Shostakovich, EN

    Shostakovich – music under siege

    Published by

    Renzo Quaglieri

    on

    17 December 2024
    Shostakovich – music under siege

    The Leningrad premiere of Shostakovich’s Symphony No. 7 was an act of courage and resistance against the brutal Nazi 1941-1944 siege of Leningrad. To make this performance happen, a massive effort was put in place from musicians, officials, and citizens, for battling the life-threatening conditions caused by the blockade.

    Continue reading →: Shostakovich – music under siege
  • 1830s, EN, Louis Spohr

    Louis Spohr – Symphony No. 6 “Historical Symphony”

    Published by

    Renzo Quaglieri

    on

    5 December 2024
    Louis Spohr – Symphony No. 6 “Historical Symphony”

    Louis Spohr wrote a very unusual symphony, the 6th. While the first three movements are a tribute to the Baroque and Classical period, the fourth is a satirical parody of the “modern” composers.

    Continue reading →: Louis Spohr – Symphony No. 6 “Historical Symphony”
  • 1910s, Carl Nielsen, EN

    Carl Nielsen – Symphony No. 4, “The Inextinguishable”

    Published by

    Renzo Quaglieri

    on

    28 November 2024
    Carl Nielsen – Symphony No. 4, “The Inextinguishable”

    4th Symphony was the first work to bring Carl Nielsen (1865-1931) on international recognition. It was composed between 1914 and 1916, the threat of war made Carl think about a new music piece, where he wanted to express the idea that life, and the will to live, in all its…

    Continue reading →: Carl Nielsen – Symphony No. 4, “The Inextinguishable”
  • 1930s, EN, Zoltán Kodály

    Exploring Zoltán Kodály’s Dances of Galánta

    Published by

    Renzo Quaglieri

    on

    17 November 2024
    Exploring Zoltán Kodály’s Dances of Galánta

    Zoltán Kodály collaborated with Béla Bartók to promote Magyar folk music. His work “Dances of Galánta” celebrates folk traditions, particularly verbunkos style, which contrasts slow and lyrical sections with lively rhythms. This orchestral piece intricately mixes distinct dance themes, showcasing virtuosic instrumentation and cultural pride.

    Continue reading →: Exploring Zoltán Kodály’s Dances of Galánta
  • 1920s, Alban Berg, EN

    Wozzeck, the modernist and brutal realism from Alban Berg

    Published by

    Renzo Quaglieri

    on

    4 November 2024
    Wozzeck, the modernist and brutal realism from Alban Berg

    Wozzeck is an Expressionist opera composed by Alban Berg (1885-1935) between 1914 and 1922. The opera breaks away from traditional opera: its futuristic musical language merges with classical formal structure, achieving dramatic effects never seen before.

    Continue reading →: Wozzeck, the modernist and brutal realism from Alban Berg
  • 1880s, EN, Jacques Offenbach

    Offenbach – from Operetta to Serious Opera

    Published by

    Renzo Quaglieri

    on

    28 October 2024
    Offenbach – from Operetta to Serious Opera

    Jacques Offenbach gained his celebrity with his operettas, but become immortal thanks to his unique serious opera, Les contes d’Hoffmann (The Tales of Hoffmann).

    Continue reading →: Offenbach – from Operetta to Serious Opera
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